Flicky – Review

Quite often, game developers would re-release arcade games onto home consoles, no doubt in a bid to cash in once its arcade popularity waned. Unless they were re-vamped a little, these games could look dated, and underwhelming compared to more modern releases. I’ve never been a fan of the basic platformer where you simply accumulate points and there is very little story, but then there are millions who do so maybe I’m wrong about my disdain for these money-guzzlers. What are your views on games like Flicky being released at a high price on a console seven years after its arcade release?

Title screen (screenshot taken by the author)

Flicky is a single-player platform game developed by Sega. It was released by Sega in the arcades in 1984 (Bally Midway in the US). Originally ported to the SG-1000 in Japan, it was released in North America and Europe in 1991 on the Sega Mega Drive. I chose to review the version found on Sonic’s Ultimate genesis Collection (2009) on the PlayStation 3.

You play as a blue bird called Flicky who must save all the little Chirps before they are eaten by the Tiger cats and Iggy lizards. To save a Chirp, you simply walk past them, and they begin to follow you. Once they are following you, you need to escort them to the door where they can escape, and you gain points. The more Chirps you rescue at any one time, the higher your points multiplier. The speed with which you rescue the Chirps is also a factor when accumulating points. You must do this whilst avoiding the cats and lizards which kill you as soon as they touch you. Thankfully, you can defend yourself by picking up various objects and hurling them at the beasties.

Rescue the Chirps before Tiger cats and Iggy lizards get you (screenshot taken by the author)

The physics of the game are quite hard to control and take some getting used to. The jumping action is rather floaty, and you tend to bounce of the walls when you hit them. It is also very slow in changing direction, and lots of practice is needed to spot the cats and lizards and being able to avoid them in time. I found the Iggy Lizards the hardest to spot and got killed by those little bastards a lot.

Although bright and colourful, the graphics of this game may have been excellent for when it was released in the arcade in 1984, but by the time it was released on the Mega Drive in 1991, things had moved on and the game looks dated. The sprites are so small that it is difficult to make out the detail that should be there. Considering games such as Sonic the Hedgehog, Super Mario World and Mickey Mouse: Castle of Illusion were all released around 1991, I can’t imagine why anyone would bother with Flicky unless it was incredibly cheap (unlikely), wanted the game purely to add to their collection, or were buying it for a child. These later games contain so much more in regard to story, characters, graphics and music.

The music isn’t actually that bad. On the contrary, the music is quite fun and gives this game a light, playful feel.

Did I complete the game?

There are 99 levels to play through, but I did not have the patience or desire to play this game for too long. I simply got bored. I think I had had my fill by level 10.

What the critics said:

Electronic Gaming Monthly: “Here is a low cost game for the Genesis aimed purely at younger players. The theme is cute, as are the characters, but 99 levels is a little much. Since the enemies and music don’t change, the game becomes tiresome quickly. The bonus stages do break the monotony a bit. Overall 21/40”.[1]

Mean Machines Sega: “The conversion of the ancient coin-op looks crap, sounds crap and plays…brilliantly! It’s very simplistic, but for some reason the action is incredibly enjoyable and addictive. Check it out! Overall 88%.[2]

Sega Power: “Cheap maze-chaser with 99 levels of moderately difficult platform action. Cute and definitely aimed at younger players. Overall 2/5.[3]

My Verdict: “Bright and colourful with cute music is all you can say about this game. There just isn’t the detail or depth to this game and it feels like a quick cash in on Sega’s part. It’s cute and great for youngsters, but by 1991, looks dated and I’d suggest spending your money on better games out there…unless you’re a collector of course.”

My Rating:

What are your memories of Flicky? I would love to hear your thoughts, and don’t for get to follow and subscribe so that you don’t miss my latest reviews! You can also find me on Instagram: @nicklovestogame.


[1] ‘Review Crew – Flicky’. Electronic Gaming Monthly. (April 1991). Issue 21:24.

[2] ‘Review: Mega Drive – Flicky’. Mean Machines. (October 1992). Issue 1:138.

[3] ‘The Hard Line – Flicky’. Sega Power. (October 1991). Issue 23:53.

Fatal Labyrinth – Review

Some gamers love nothing better than to take control of an individual or a group of fighters and battle through endless dungeons gaining experience points, better armour, better weaponry and even stronger magic spells. To me, these games feel a tad monotonous and I rarely complete them purely because I don’t have the desire to spend hours fighting the same monsters to gain a few levels to help defeat a big boss only to have to do the same again soon after. It feels like a waste of time to me. Fatal Labyrinth, although containing RPG elements, is an alternative to these types of games. A sort of RPG-lite if you will. The question is, is it any good?

Title screen (Screenshot taken by the author)

Fatal Labyrinth is a single-player RPG developed and published by Sega. It was released on the Mega Drive in 1991 and appears on Sonic’s Ultimate genesis Collection (2009) for the Xbox 360 and PlayStation 3. It was also released for Microsoft Windows in 2010 and can also be found on the Nintendo Switch. For this review, I played the version found on Sonic’s Ultimate genesis Collection (2009) on the PlayStation 3.

One day, in an unnamed village in a faraway unnamed land, the monstrous castle of doom known as Dragonia rises from the earth. Ghouls from the castle pour out and head towards the village. They steal the Holy Goblet, a sacred artifact and source of light in the world and take it back with them to the castle leaving the villagers in a state of terror.

One man, Trykaar, volunteers to take up arms and infiltrate the castle to steal back the goblet. To find the goblet, he must search through 30 levels of labyrinth that are filled with all manner of creatures hellbent on stopping him.

Beware the wizards, for they can paralyse you, leaving youu open to attack. (Screenshot taken by the author)

There is very little intro to this game. You simply speak to a few people in the village before heading off to the castle. They don’t confide any information that is particularly helpful, and it all feels like a half-arsed afterthought.

Throughout the labyrinth, you can pick up various weapons, shields, body armour, helmets and bows to defend yourself with. You can also find many magical items such as canes, potions, scrolls and rings. Initially, you don’t know how strong each weapon is or what each of these magical items do until you use them. This works well in this game as it forces you to experiment with your items and adds an element of danger and risk.

You do not automatically pick up these items though, and only have limited numbers you can carry. However, rather than just discarding them, you can choose to throw them at the enemy which I think is a nice, realistic touch. Afterall, having a metal helmet thrown at your face isn’t exactly going to tickle.

Like other RPGs, you gain experience points when you kill enemies. You start as “Beginner” and as you level-up progress onto “Valet” and countless other names. With each level you increase your attack, defence and HP also increase.

When battling the monsters, they will only move in response to you moving. When you take a step, they will take a step at the same time. Some need to be next to you to attack, and others can throw projectiles at you. This means that once one is chasing you, it’s incredibly difficult to lose them so you may have to simply fight them. An annoying aspect to the game is that when you are approaching an enemy to attack, they will move aside one square and so you’ll turn to face them but they will move again meaning that you also move a square. It is as if you are engaging in a medieval dance with a monster. It’s very frustrating. Also, when you do get hit, you are frozen for a split second, and this makes it very difficult to escape, especially when surrounded by multiple enemies.

Every five levels is an automatic checkpoint so that if you die, you will go back to Level 5, 10, 15 etc. You seem to have infinite continues so in theory can play until you get tired of the game. If you stay on the same level for too long, then the screen flashes and the monsters will respawn.

Food is a vital part of the game. When fed, the hero slowly regenerates health. If unfed for extended periods of time, the hero becomes hungry and loses health. If too much food is eaten, the character’s movements become sluggish due of overeating. This is an unnecessary addition to making the game even harder.

Throughout the levels, you can pick up gold. This has very little benefit in the game other than when you die, your gravestone is more elaborate, and more mourners attend your funeral. It’s almost as if the game creators know you are going to die a lot during this game.

Features to watch out for:

Secret Doors – You actively have to press the ‘Pick Up’ button (the square button on the PlayStation joypad) when you are next to a wall to find these secret doors.

Trap Doors – Occasionally, you will fall through the floor to the level below. You simply have to find the stairs again to take you up.

Booby Traps – You may also set off an alarm which causes enemies to respawn and surround you.

There are lots of items to search for and pick up throught the labyrinth. Beware, as not all items will aid you. Some are cursed! (Screenshot taken by the author)

Personally, I feel the graphics leave a lot to be desired. The initial top down view is similar to other games such as Phantasy Star III: Generations of Doom (1991), but that is all you get. There are no additional battle scenes where player and foes are seen with more elaborate illustrations and animations. The game also lacks the scary atmosphere of Shining in the Darkness (1991).

The music in this game is very unassuming and very repetitive. You won’t need SFX or the music anyway for this game as they add very little to the atmosphere, so I just turned down the volume and listening to a podcast.

This game has plenty of replay value. Although it only has one difficulty setting, the levels are randomly generated so that every time you play, you are greeted with a new labyrinth, and the items will never be in the same place twice.

Did I complete the game?

No, I couldn’t get past Level 11.

What the critics thought:

Electronic Gaming Monthly: “Even though the mazes change constantly, the gameplay itself never changes, let alone the music! How Irritating! The price is right, however, for the Gauntlet fan who hates playing the same levels over and over. Since no passwords exist, you can only finish in one sitting. Yikes! Overall 20/40.[1]

Mean Machines Sega: “This Cross between a scrolling beat ‘em up and a role-playing game fails to deliver in both categories. The RPG aspect is dull and limited and slow, boring action fails to offer any thrills and spills. Overall 51%.”[2]

SegaPower: “Addictive roam around the labyrinth and collect the goodies RPG. Overhead graphics reveal themselves as you enter each room, which is nice, but it’s just too easy. Overall 2/5.[3]

My Verdict:

“Sadly, this game is rather monotonous and lacks atmosphere. The constant “swing and a miss” dynamic of the fighting is downright tedious. Mediocre graphics and dull music mean that you won’t be missing much if you give this game a miss. Pity really, as the concept had potential.”

My Rating:

What are your memories of Fatal Labyrinth? I would love to hear your thoughts, and don’t for get to follow and subscribe so that you don’t miss my latest reviews! You can also find me on Instagram: @nicklovestogame.


[1] ‘Review Crew – Fatal Labyrinth’. Electronic Gaming Monthly. (April 1991). Issue 21:22. file:///C:/Users/nikth/AppData/Local/Temp/EGM_US_021.pdf Accessed 16th September 2021).

[2] ‘Review: Mega Drive – Fatal Labyrinth’. Mean Machines. (October 1992). Issue 1:138. (https://archive.org/details/mean-machines-sega-magazine-01/page/n137/mode/2up Accessed 16th February 2020).

[3] ‘The Hard Line – Fatal Labyrinth’. SegaPower. (October 1991). Issue 23:53 (https://retrocdn.net/images/8/89/SegaPower_UK_23.pdf Accessed 16th September 2021).

Ecco the Dolphin: The Tides of Time – Review

It is natural that the financial success and popularity of a video game should beg the question if a sequel (or prequel) will be wroth the investment. After all, I’m sure all game developers wish to be known for creating a successful franchise spanning generations of video gamers. The issue is that sequels are, more often than not, flops. Ecco the Dolphin was a huge success. So why not create a sequel?

Title screen (Screenshot taken by the author)

Ecco the Dolphin: The Tides of Time is a single player action-adventure game. It was developed by Novotrade International and published by Sega for the Mega Drive, Game Gear and Sega CD in 1994, and for the Master System in 1996. The version I chose to review can be found on Sonic’s Ultimate Genesis Collection (2009) for the PlayStation 3.

Tides of Time picks up where the first Ecco game left off. Having saved his pod, and coincidently the world, from an alien vortex, Ecco retains the powers bestowed upon him by the Asterite that allow him to stay underwater indefinitely without the need for air, and use his sonar as a blast wave stunning enemy sea creatures. Things are peaceful in Home Bay.

One day, a powerful earthquake hits the underwater cave that Ecco is exploring. Unsure how, Ecco soon learns that his powers have left him and that the Asterite has been killed. Ecco soon meets an unusual dolphin named Trellia, who informs him that she is from the future and one of his descendants. She brings Ecco back to her future where he learns that the Vortex Queen survived, followed him back to Earth and killed the Asterite in Ecco’s time. After travelling back to his own time, Ecco must search for the globes of the Asterite that have been scattered throughout the ocean and bring them together. Only then can he learn how to defeat the Vortex Queen and save the Earth…again.

The graphics for the Mega Drive versions of the Ecco series are truly stunninig (Screenshot taken by the author).

The game play is the same as the original Ecco game. When pressing a direction, Ecco will swim in that direction. When you stop swimming, Ecco will drift, adding some realism to the gave, since the sea is always moving with the tides. To increase speed, press the ‘C’ button, and Ecco will speed up, handy for when you’re almost out of oxygen or when you need to leap out of the water and over obstacles. The ‘B’ button makes Ecco dash (tap twice for double charge). This is mainly used to attack the many dangerous and deadly creatures he encounters, as well as, breaking down shelled walls. The enemies include sharks, jellyfish, pufferfish, and crabs….those crabs can fucking do one! They come out of nowhere and make a B-line for you. I admit, I dropped the C bomb several times during my playthrough due to those little wankers. Frustratingly, the enemies also respawn which pisses me off even more and makes the game even harder.

The ‘A’ button is Ecco’s sonar ability and can be used in several ways:

  • Press and hold ‘A’ until the sonar bounces back. This opens a map segment, again very handy for when you are lost in caves.
  • Communicate with other friendly sea creatures such as other dolphins and killer whales. These friends can offer advice and hints to you.
  • Large glyphs are found dotted around the levels that offer tips or give Ecco a password so that when he comes across one that blocks his path, he can use his sonar to clear the way.
  • After the first few levels, Ecco gains the ability to use his sonar to stun enemy creatures.
  • Pressing ‘B’, followed by ‘A’, Ecco releases a sonar charge that will kill his enemies.

The graphics still look top rate. The sprites all look a little smoother and the colours and detail of the sprites and backgrounds still look incredible. Now, I may be crazy, but the game perspective feels like you have been zoomed in slightly…or am I imagining it?

The music just does not fit the game. In the original you had either a soft Caribbean melody or a low-key track that almost buzzed, giving you the feeling of being along in a scary and unfamiliar environment. Some of the weird new music feels like it should fit better in a run-and-gun shooter.

Several new features include new level types (Screenshot taken by the author)

So what is new about Tides of Time?

In the first Ecco game, there were Key Glyphs that when you sang to them, would offer clues or give you a specific song to pass through Barrier Glyphs. Power Glyphs would give you invincibility for a short period of time. In Tides of Time, there are now:

Puzzle Glyphs – Join with others to help release their powers

Cracked Glyphs – Similar to Barrier Glyphs but will only open for a short period of time; Broken

Broken glyphs – Fit the pieces together to Ecco receives a gift

Milestone Glyphs – Act like save states

Another new addition to the game is the teleportation sub-stages. The view changes so that the camera is behind Ecco as he travels forward. Dodging seaweed and jellyfish, you must watch out for rings that Ecco must swim or jump through. If you miss too many, you will go back to the beginning of the level. It doesn’t really add that much to the game, but changes it up enough to be worth including as a new feature.

The Sky Tides level was pretty difficult. Because it is a scrolling level, there is lots of trial and error when it comes to finding the best way to navigate through the level. If you fall out of the sides of the tubes, you fall back to the ocean and back to the previous level.

On the next stage, Tube of Medusa, if you get grabbed by the Medusa’s and flung out of the tubes, you go back two stages!!! Luckily, the Barrier Glyph is still open so you can swim straight back to the Sky Tides level, but it is still incredibly frustrating.

On some of the levels, there are helium bubbles in the sky. When you leap into the air and use your sonar on them, they fling you across the screen to either a floating pool or another set of helium bubbles. On another level, when you leap out of the water to where a larger bubble is floating in the air. When you touch it, you turn into a seagull and need to fly over cliffs to another body of water. What on Earth were the creators smoking when they came up with ideas for this game?

To add to the replay value of this game, at the begining of the game you can choose to swim in four directs. Left leads to the password screen, top left is difficult, top right is easy and right is normal. Normal adjust the game difficulty based on your ability and how well you’re doing.

Did I complete the game?

Not yet. At present, I am stuck on Four Islands where you need to follow a friendly dolphin who will show you the way. When following the dolphin, if it disappears off your screen, it will go back to where you found it. It is rather unforgiving.

What the critics thought:

GamePro: “There’s no doubt that Tides of Time offers a lot, providing a scenic variety of levels for the player to swim through and solve. Occasional control glitches do bring their share of frustration, but you still get a solid does of entertainment. This sequel proves that Ecco’s not washed up yet. Overall 85%.[1]

Electronic Gaming Monthly: “Ecco: Tides of Time really shows that Genesis games can be colourful, The backgrounds and animation are simply beautiful, with lots of eye-popping graphics. The quests are a lot harder than before, and sometimes you are left without a clue as to what to do. I like the fact that you can transform into different creatures I’d have to say that I really like Ecco and his adventures. Overall 7.25/10.[2]

Next Generation: “Taxing puzzles, RPG elements, shooting stsgaes, and some of the best Genesis graphics to date make you want to reel Ecco II in, but it’s certainly not a keeper. Overall 3/5”.[3]

My verdict:

“I’m not sure what to make of this game. The graphics, as with the original, are glorious. The change is music doesn’t work well for me, and some of the new aspects of the game like the helium bubbles and turning into other creatures seems a bit dumb. Having said that, it’s a perfectly good game. Challenging, great to look at, and is certainly a worthy addition to the Sega Mega Drvie library.”

Rating:

What are your memories of Ecco the Dolphin: The Tides of Time? I would love to hear your thoughts, and don’t for get to follow and subscribe so that you don’t miss my latest reviews! You can also find me on Instagram: @nicklovestogame.


[1] LaMancha, M., ‘ProReview – Ecco the Dolphin: The Tides of Time’. (December 1994). GamePro. 75:86-7  (file:///C:/Users/nikth/AppData/Local/Temp/GamePro_US_065.pdf Accessed 15th September 2021).

[2]  ‘Review Crew – Ecco: Tides of Time’. (December 1994). 65:40. (https://archive.org/details/ElectronicGamingMonthly_201902/Electronic%20Gaming%20Monthly%20Issue%20065%20%28December%201994%29/page/n43/mode/2up Accessed 15th September 2021).

[3] ‘Rating Genesis – Ecco: Tides of Time’. (February 1995). Next Generation. 2:100. (https://archive.org/details/nextgen-issue-002/page/n101/mode/2up Accessed 15th September 2021).

Ecco the Dolphin – Review

Heroes come in all shapes and sizes in video games. Muscle-bound barbarians, ace spaceship pilots, martial arts experts, and yes, even Italian plumbers, to name a few. In 1992, Sega took a chance on a new hero. This one couldn’t wield swords or axes, or pilot machinery, or cast magic spells. It didn’t know kung-fu and certainly didn’t grow larger having eaten mushrooms. No, this hero lived in the ocean but needed air to breathe. He was agile, could swim at great speeds and leap from the water to soar above he waves like an albatross. This hero was a dolphin!

Titlescreen (Screenshot taken by the author)

Ecco the Dolphin is an action-adventure developed by Novotrade International and published by Sega. It was released on the Mega Drive in 1992, with versions also being released on the Master System, Game Gear, and Sega CD. Versions were later released for the Wii Virtual Console (2006), Xbox Live Arcade (2007), as part of Sonic’s Ultimate Genesis Collection (2009) for the Xbox 360 and PlayStation 3, Nintendo 3DS (2013), and Sega Genesis Mini (2019).

Ecco is a dolphin. There is nothing particularly special about him other than the unique star pattern on his forehead. One day, whilst swimming with his pod, he leaps high into the air and at that exact moment, a vortex opens and sucks up his pod (as well as other ocean dwelling sealife). Ecco needs to find out what happened to his pod from creatures much older and wiser than himself. He embarks on a long journey into cold and unfamiliar waters, where strange and deadly creatures live.

Ecco can use his sonar to stun or to talk to other creatures (Screenshot taken by the author)

First, let me just say that the graphics of this game show the Mega Drive at its pomp. Bright and colourful, with incredibly detailed backgrounds and sprites. From the multi-coloured shoals of fish, to the array of seas sponges and plants on the sea bed, there is so much that draws the eye. An accurate and nice touch is where the deeper you go, the darker the background becomes, emphasising that light doesn’t penetrate that deep into the ocean.

I remember when a childhood friend of mine bought this game. We were stunned! Not only did the concept of controlling a dolphin seem unique (to us at least), but the attention to detail was at such a level that I think we firmly believed that gaming had reached its apex…how young and naïve we were.

The music is very understated in this game, but it works so well. Some of the music is very relaxing and calming, which is surprising because for most part, you are not very relaxed at all. In fact, the game will give even the most seasoned gamers anxiety.

Rather than have time limits for the levels, Sega offer us two energy bars. One is health and the other is oxygen. To replenish your oxygen bar, you need to find an area where you can breach the surface of the water or find where oxygen bubbles are rising from cracks in the seabed. This becomes challenging when you are deep under sea in a labyrinth of caves. To recover health, Ecco must dash into the shoals of smaller fish to gobble them up. If you die, you simply go back to the beginning of the level. You have infinte lives in this game and believe me, you’ll need the am all!

Eating the smaller fish helps Ecco restore lost health (Screenshot taken by the author)

The basics of the game are simple. When pressing a direction, Ecco will swim in that direction. When you stop swimming, Ecco will drift, adding some realism to the gave, since the sea is always moving with the tides. To increase speed, press the ‘C’ button, and Ecco will speed up, handy for when you’re almost out of oxygen or when you need to leap out of the water and over obstacles. The ‘B’ button makes Ecco dash. This is mainly used to attack the many dangerous and deadly creatures he encounters, as well as, breaking down shelled walls. The enemies include sharks, jellyfish, pufferfish, and crabs….those crabs can fucking do one! They come out of nowhere and make a ‘B’ line for you. I admit, I dropped the ‘C’ bomb several times during my playthrough due to those little wankers. Frustratingly, the enemies also respawn which pisses me off even more and makes the game even harder.

The ‘A’ button is Ecco’s sonar ability and can be used in several ways:

  • Press and hold ‘A’ until the sonar bounces back. This opens a map segment, again very handy for when you are lost in caves.
  • Communicate with other friendly sea creatures such as other dolphins and killer whales. These friends can offer advice and hints to you.
  • Move starfish circles that will eat rock and open previously blocked pathways for you.
  • Large glyphs are found dotted around the levels that offer tips or give Ecco a password so that when he comes across one that blocks his path, he can use his sonar to clear the way.
  • After the first few levels, Ecco gains the ability to use his sonar to stun enemy creatures.

This game may look cutsie, but it is fucking hard! Rage quitting is standard for this game, especially when you are near the end of a level and those fucking crabs come out of nowhere and kill you. I doubt you will finish this in one sitting, if at all. Thankfully, you receive a password after every level.

Another aspect of this game that is irksome about this game, is when you have to navigate through narrow caves and sometimes you need to manoeuvre through even narrower gaps past sharp coral. There are points where you cannot do this without injuring yourself, not matter how hard your try to avoid them.

The game only has one difficulty setting and so offer little in the way of replay value other than simply showing the awesomeness of the graphics to a friend.

Did I complete the game?

Nope, and I have never met anyone who has either.

What the critics said:

Mean Machines Sega: “A Megadrive classic without doubt, and a strong contender for best game ever! A unique underwater experience for those tired of unoriginal pop. Overall 97%.[1]

MegaTech: “Original concept combined with wonderful graphics and amazingly engrossing gameplay make this a classic. Overall 94%.[2]

My Verdict:

“This is by far, one of the most original and best-looking games the Mega Drive has to offer. Incredible graphics and atmospheric music offer a unique gaming experience. The difficulty of the game is the only this that lets it down.”

Rating:

What are your memories of Ecco the Dolphin? I would love to hear your thoughts, and don’t for get to follow and subscribe so that you don’t miss my latest reviews! You can also find me on Instagram: @nicklovestogame.


[1] ‘Ecco the Dolphin – Review’. Mean Machines Sega. (December 1992). Issue 3:24-8 (https://archive.org/details/mean-machines-sega-magazine-03/page/n27/mode/2up Accessed 29th June 2021).

[2] ‘Game Index – Ecco the Dolphin’. MegaTech. (October 1993). Issue 22:99. (https://archive.org/details/mt-22_202005/page/98/mode/2up Accessed 29th June 2021).

ESWAT: City Under Siege – Review

Science-fiction movies have often toyed with the idea of a mechanised police officer battling huge crime syndicates in a dystopian future (1987s Robocop springs to mind). ESWAT: City Under Siege was one such game, with a storyline that felt like it came straight from a 1980s B-movie starring Jean Claude Van Damme or Dolph Lundgren.

Titlescreen (Screenshot taken by the author)

ESWAT: City Under Siege (Cyber Police ESWAT in Japan) is a side-scrolling action platform game developed and published by Sega. Based on the 1989 arcade game Cyber Police ESWAT, it was released in 1990 for the Mega Drive and Master System. It was later released on the Wii Virtual Console in 2007 and as part of Sonic’s Ultimate Genesis Collection (2009) found on the PlayStation 3 and Xbox 360.

Global terrorist organisation E.Y.E is wreaking havoc throughout the world. To combat this terrorist threat, the governments of the world launch their ESWAT (Enhanced Special Weapons and Tactics) initiative. Selected from the bravest police officers, and sharpest shooters, these law enforcement officers don state-of-the-art ICE combat suits with advanced armour and weaponry.

In the early missions, you are a plain clothes officer (screenshot taken by the author)

There are eight missions for you to battle through:

  • Guard Silent City!!
  • Infiltrate Cyber Prison!!
  • Defend Neo Three-Mile!!
  • Attack Mad Scientist!!
  • Destroy Dark Base!!
  • Penetrate Secret Sewer!!
  • Destroy Tactical Complex!
  • Break E.Y.E’s Plan!

You begin the game at the rank of Captain and are a plain clothes police officer. Once you complete the first mission you gain a promotion to Chief. The completion of the second mission sees you promoted again to ESWAT and this is when you gain the ESWAT suit. The suit begins with your plain shot weapon but allows you to pick up a further four weapons:

  • Super – Shoots three shots at once instead of one, and includes rapid fire ability.
  • R.L. (Rocket Launcher) – Fire two powerful rockets in quick succession before needing a bit of time to reload.
  • P.C. (Plasma Charge) – Fires smaller shots but can charge up to fire a huge devastating ball of plasma.
  • Fire – The most powerful weapon in your arsenal, this weapon can only be used when your jetpack fuel is in the red zone (full power). You can also only use it once.
Once you reach the ESWAT rank, you gain the stat-of-the-art armour (screenshot taken by the author)

First, I’d like to rave about the graphics of this game. The sprites look incredible! The detail on your character’s uniform and the initial human enemies is top rate for 1990 (there is a nice little explosion once you kill the enemies too). Bright and colourful, and they have even captured the shadows on your attire (between the legs for example). The levels themselves, are also incredibly detailed and there is plenty that to attracts the eye. They really did go all in for this game.

The music sounds great too. Upbeat and funky, it’s the sort of in-game music that you’d listen to as opposed to muting the sound and putting on your own tunes.

In the first two levels, you only move a one speed: walking. As you progress and gain the ESWAT suit, you can also use your rocket pack to help evade hazards and enemy fire. My only criticism of the player’s movement is that I feel that your character walks a little too slowly for my liking and cannot shoot diagonally, which is a tad annoying at times. I also felt that the you are too zoomed in (if that makes sense). You are quite clsoe to the edge of the screen as you walk to progress. I’d have liked to have seen it zoomed out a bit more so that you can see a bit more of what’s going on around you and aren’t in a constant state of nervous surprise.

This is a tough game, and certainly not for the faint-hearted. If you complete the game and are a glutton for punishment, you can increase the difficulty and number of lives you begin with. This increases the replay value of the game.

Did I compete the game?

No, I could not get past mission five.

What the critics said:

Mean Machines Sega: “ESWAT is s super-slick platform shoot ‘em up that simply oozes quality. The parallax scrolling backdrops and sprites are excellent, and the sound is great. Combine those with challenging and highly addictive gameplay and you’ve got a game that’s a must for your collection. Overall 92%.[1]

Sega Power: At first this Shinobi-style shooter isn’t too hot. Later on, though, it displays some of the moodiest scenes on the MD. Tried and trusted gameplay, plus a few shocks! Overall 4/5.[2]

My Verdict:

“Graphically, a superb example of the capabilities of the Sega Mega Drive with a knock out soundtrack to boot. This is a challenging game and you won’t simply finish it in one sitting.”

Rating:

What are your memories of ESWAT? I would love to hear your thoughts, and don’t for get to follow and subscribe so that you don’t miss my latest reviews! You can also find me on Instagram: @nicklovestogame.


[1] ‘Review: Mega Drive – Eswat’. Mean Machines. (October 1992). Issue 1:138. (https://archive.org/details/mean-machines-sega-magazine-01/page/n137/mode/2up Accessed 16th February 2020).

[2] ‘The Hard Line – E.S.W.A.T. City Under Siege’. Rage Magazine. (October 1991). Issue 23:53.  (https://retrocdn.net/images/8/89/SegaPower_UK_23.pdf Accessed 22nd May 2021).

Dynamite Headdy – Review

I’m often conflicted when rating video games. I tend to give my personal rating before I read the reviews of contemporary critics so as not to affect my personal rating. For the most part, we are in agreement. However, on occasion, I disagree with reviewers rating a game either higher or lower than expected. Dynamite Headdy is one such game.

Title screen (Screenshot taken by the author)

Dynamite Headdy is a single-player platform game developed by Treasure Co., Ltd and published by Sega. It was released for the Mega Drive in 1994 with an 8-bit version being ported to the Game Gear and Master System soon after. It was later released for the Wii Virtual Console (2007), the Xbox 360 and PlayStation 3 via Sonic’s Ultimate Gensis Collection, and the Xbox One, PlayStation 4, Nintendo Switch, Microsift Windows Mac OS X and Linux in 2018. For this review, I played the Mega Drive version.

Life was fun at the Treasure Theatre Show until Dark Demon began converting its inhabitants to evil minions. It’s up to Headdy to pursue Dark Demon and defeat him in order to save his friends.

You play as Headdy, a puppet who has the ability to throw his own head at his enemies or to use it to grab Hangmen (round balls) to help him climb to higher parts of the level. Headdy also has the ability to change his head to other heads that give him special abilities, similar to Kid Chameleon (1992). For the most part, there are up to 14 different heads that can be utilised by Headdy. In some later levels, another three are utilised to help Headdy fly.

At the end of each level, Headdy must face a Keymaster. His friend Beau usually shows up to direct Headdy as to where he must hit the Keymaster to defeat them.  

I owned Dynamite Headdy as a teenager and remember playing it over and over again but never completing it. Having revisited the game, I’m sorry to say that I just didn’t enjoy it at all. I actually found the game annoying and it felt like a half-baked idea to me.

That being said, the controls are tight and the gameplay relatively simple. I like the fact that Headdy can throw his head in all directions and can be utilised as a weapon or as an aid to reach higher platforms.

The graphics are bright and colourful. The sprites look great and there is enough variation to keep the game interesting. The animations are quite cool too, like when Headdy has been idle for a while, he’ll take off his head and bounce it like a basketball. However, the music is down right annoying and I found that soon, I’d turned the volume down.

The numerous heads with their unique abilities make the game play quite fun. Although, I wish there they were more integral to the game. Although there are times when swapping heads is necessary, and allows your to pick your route based on the head you pick, I felt as though the game could be beaten with using minimal head swaps when the game really should be full of areas where you cannot progress without acquiring the correct head.

What spoils the game for me, is that it feels very chaotic and discombobulated. The levels seem quite short and just when you’re getting into it, it ends or changes scene. There are also seems to be endless boss battles and although some are quite quirky and ingenious, they grow tiresome as oppose to simply being a good challenge.

The so called “treasures” are not really worth the effort to get.

The game itself is quite long, but offers little in the way of replay value. I can’t see myself returning to play this again anytime soon.

Did I complete the game?

No, I couldn’t get past level 6-2.

What the critics said:

Electronic Gaming Monthly: “Another unique title from the folks at Treasure (the company that gave us Gunstar Heroes). The main character, Headdy, has several excellent attacks (using different “heads”), and the levels are very colorful, with some knockout visual effects (like the rotating platforms, and the giant blimp dog Boss). This is a top action title for the Genesis. Overall 7.6/10.[1]

Gamesmaster: “Is it going too far to suggest that this is Treasure’s contractual obligation game? Probably. Nevertheless, it doesn’t shine like their previous projects. Let’s hope their next one is more of a return to form. Not a disaster but should have been so much better. Overall 76%. [2]

Mean Machines Sega: “If you have your head firmly screwed on, you’ll get Headdy as soon as it comes out. No ifs, no butts! Overall 93%.[3]

Next Generation: “Unlike most games, no two levels or bosses look alike. Most importantly, Dynamite Headdy is loaded with good old-fashioned fun, and that’s what gaming is all about. Isn’t it? Overall 4/5.[4]

My Verdict: “This game is chaotic, frustrating, and feels you’re just being carried through the game as oppose to navigating it yourself. The levels are very linear and rather small when compared to games like Sonic the Hedgehog 3. It’s a Marmite game. You’ll either love it or you’ll hate it.”

My Rating:

What are your memories of Dynamite Headdy? I would love to hear your thoughts, and don’t for get to follow and subscribe so that you don’t miss my latest reviews! You can also find me on Instagram: @nicklovestogame.


[1] ‘Review Crew – Dynamite Headdy’. Electronic Gaming Monthly. (September 1994). Volume 7, Issue 9:36 (https://archive.org/details/Electronic_Gaming_Monthly_62/page/n37/mode/2up Accessed 9th May 2021).

[2] Tucker, T., ‘Review – Dynamite Headdy’. Gamesmaster. (October 1994). Issue 22:52-3. (https://retrocdn.net/images/f/f9/GamesMaster_UK_022.pdf Accessed 9th May 2021).

[3] ‘Review – Dynamite Headdy.’ Mean Machines Sega. (November 1994). Issue 25:74-7. (https://archive.org/details/mean-machines-sega-magazine-25/page/n75/mode/2up Accessed 9th May 2021).

[4] ‘Rating genesis – Dynamite Headdy’. Next Generation. (January 1995). Issue 1:99-101. (https://archive.org/details/nextgen-issue-001/page/n105/mode/2up Accessed 9th May 2021).

Dr. Robotnik’s Mean Bean Machine – Review

Puzzle games have always been popular. Humans clearly enjoy the mental challenge of solving a puzzle as well as the competitive challenge of solving it faster than a friend or opponent. One would presume that many puzzle games such as Tetris (1984), Columns (1989), Pipe Mania (1989) and Shanghai (1986) were cheap and easy to produce. Their popularity stems from the personal challenge as well as the fact that they are easy to learn but difficult to master. As the complexity of video games increased, how could game creators use the ideas from previous puzzle games and expand them for modern gamers of the 1990s? One answer was Dr. Robotnik’s Mean Bean Machine.

Title screen (Screenshot taken by the author)

Dr. Robotnik’s Mean Bean Machine is a falling block puzzle game and can be played in single or two-player mode. It was developed by Compile Co., Ltd. and published by Sega. It was released on the following platforms:

Mega Drive and Game Gear in 1993

Master System in 1994

Sonic Mega Collection for the GameCube in 2002

Wii Virtual Console in 2006

Sega Mega Collection Plus for the PlayStation 2 and Xbox in 2004

Sonic’s Ultimate Genesis Collection for the PlayStation 3 and Xbox 360 in 2009

Microsoft Windows in 2010

Nintendo 3DS in 2013

For this review, I played the version found on the Sonic’s Ultimate Genesis Collection (2009).

On the planet Mobius, Dr. Robotnik, Sonic the Hedgehog’s arch nemesis, has created a Mean Bean-Steaming Machine in order to turn the peaceful inhabitants of Beanville into evil robots. Once he has his army, he intends to ensure that music and fun disappear from Mobius forever…what a miserable bugger!

The game is similar to Tetris (1984) and Columns (1989), in that blocks, or in this case two coloured beans, fall from the top of the screen. As they slowly descend, you must decide where to place them before they reach the bottom. You can rotate them in order to place them vertically or horizontally, as well as changing which order the coloured beans are placed in.

When beans of the same colour are either on top, below or either side of another bean of the same colour, they form a link. When you link four or more beans together, they will disappear allowing earning you points and allowing beans that were above them to fall directly downward. The more beans you make disappear, the higher your score. The game ends when either you or your opponent’s dungeon is completely filled with beans.

To make this game more challenging, if you make more than one set of coloured beans disappear in a chain reaction, for example, then ‘refugee’ beans appear above your opponent’s screen. They will eventually fall and block your opponent from matching beans together. These ‘refugee’ beans can be made to disappear by matching four or more of that same-coloured beans whilst the ‘refugee’ beans are directly above, below or adjacent to the matching ones.

(Screenshot taken by the author)

The game is very easy to learn, and the controls are simple. A practice mode is available, but you really won’t need to bother with this unless you are a younger or more inexperienced gamer.

The graphics won’t blow you away, but they don’t need to. They are perfect for what this game is. They are bright and colourful, and beans are easily distinguishable.

The in-game music is very good. I particularly like the descending riff. I don’t know whether this riff was intentionally created to accentuate the fact that the beans are falling or whether this is a coincidence. Either way, I liked the music for this game.

Be warned, this game is not walk in the park! It is a tough game, and will take time and a multitude of continues to beat it. Luckily, the creators give you infinite continues and offer a password system so that you don’t need to keep going back to the beginning.

I’m not really a fan of these types of games but the more I played it, the more I enjoyed it. Its fun and really comes into its own in two-player mode.

Did I complete the game?

No, I couldn’t get past the 8th stage.

What the critics Said:

Computer & Video Games: “…is as addictive and frustrating as the game it’s based on, the famous puzzler Tetris. The beans are a lot cuter and colourful than a bunch of bricks, and you also have to compete against the computer, which plays on a screen next to you; this makes the game even more difficult to complete. The graphics are bright and colourful, although not too adventurous, but it’s all good, obsessive fun. Overall 90%.[1]

GamePro: “Despite a lot of similarities to Tetris, Columns, and other classic puzzlers, this game is no has-bean. The offensive strategy makes it especially fun when playing against a friend. Games of this kind seem few and far between for the Genesis, so fans of this genre should find Mean bean Machine a match made in heaven. Overall 4.375/5.[2]

Mega: “Don’t let the seemingly innocuous exterior and simplistic appearance put you off. Mean Bean Machine is a devilishly addictive game which even haters of all stings Sonic-related will love.Overall 90%”.[3]

My Verdict: “Bright, colourful with quirky music, this game is a lot of fun and particularly comes into its own in two-player mode. However, it is just too darn difficult in single player mode for the casual gamer. If you’re a fan of these sorts of puzzle games will love this game. If not, it is still worth a place in your collection.”

Rating:

What are your memories of De-Cap Attack? I would love to hear your thoughts, and don’t for get to follow and subscribe so that you don’t miss my latest reviews! You can also find me on Instagram: @nicklovestogame.


[1] Tipping, A., Computer & Video Games. (January 1994). Issue 146:93. (https://retrocdn.net/images/6/63/CVG_UK_146.pdf Accessed 28th April 2021).

[2] Andromeda, ‘Genesis ProReview – Dr. Robotnik’s Mean Bean Machine’. (January 1994). Volume 6, Number 1:58.  GamePro. https://retrocdn.net/images/e/ec/GamePro_US_054.pdf Accessed 5th May 2021).

[3] Dyer, A., Dr. Robotnik’s Mean Bean Machine. Mega. (January 1994). :48-9. (https://retrocdn.net/images/a/a3/Mega_UK_16.pdf Accessed 5th May 2021).

De-Cap Attack – Review

The early 1990s were a great time for me. I was too young to be distracted by girls but old enough to be able to hang out with friends without the supervision of parents. I was also old enough to be half decent at video games. My friends and I regularly exchanged games (and cheat codes) but sadly we just didn’t have the money to buy many games. Having an older brother has its benefits. He may be mean and leave you out in the cold when his older, cooler friends are around, but he may also have access, and money, to borrow or buy more video games. One such game that my brother brought home one night was De-cap Attack.

Title screen (Screenshot taken by the author)

De-cap Attack is a single-player platform game. It was developed by Vic Tokai and published by Sega for the Mega Drive in 1991. For this review, I played the version found on Sonic’s Ultimate Genesis Collection (2009).

Max D. Cap has returned from the Underworld to wreak havoc with his army of evil monsters. His devastation has caused the island where you live, shaped in the form of a skeleton, to break apart. Chuck D. Head, that’s you, is the creation of Dr. Frank N. Stein and his loyal assistant Igor. They created you, a headless mummy, and sends you to defeat Mad D. Cap and his minions and return to the island to its original state.

The Skeleton Island (screenshot taken by the author)

Chuck can attack his enemies in three ways. He has a weird face in his chest that extends out and punches the enemy, he can jump on their heads and squash them into the ground, or he can acquire a skull that can be thrown at the enemy but will return like a boomerang. Chuck also has the added ability of slowing his descent by kicking his legs. This little feature has saved my life, and my sanity, on more than one occasion.

Along the way, Chuck can pick up several different potions to assist him. These give him abilities such as harnessing a lightning ball, speeding up his run, slowing down the enemy etc. You can also pick up gold coins to use in a post-level bonus game.

Your health unit, quite ingeniously, is measured by pumping hearts. Each heart is the equivalent of two hits. However, if you fall into lava you will die instantly.

Chuck can use his head to throw at his enemies (screenshot taken by the author)

Although this is technically a side-scrolling platform game, and mostly that’s left to right, there are several levels where you either climb or descend the screen and at least one or two where you go from right to left. Which is quite novel considering most platformers seem to go from left to right. Like most side-scrolling plaforms, there are higher parts to each level where more goodies and power-ups can be found.

Each “island” has three stages to complete. At then end of each island you will face a boss. To add an extra challenge to each island, there is a special object to collect so even if you defeat the end of island boss, you cannot progress without finding this object.

After your complete an “island” you are rewarded with a bonus stage. Each coin you gathered allows you to place a clone of Chuck on a path. You can place as many or as little as you want on each path. Everytime they reach a bridge they will cross it either to the left or right. When they reach the end of the paths, you need to stop a set scrolling bridges. If you place your clones correctly and timed your stop of the correctly Chuck will be rewarded with lives and potions. If not they fall down a hole and you win nothing.

Obligatory swimming level (screenshot taken by the author)

The controls are tight and responsive but when Chuck changes direction whilst running he skids in a very cartoony way which takes a bit of practice.

I think the graphics are fab! The levels are incredibly detailed and sprites are well animated. There is no flickering or slowing down when there are several sprites on screen and end of level bosses look great too.

The intro music to this game is pretty cool. Sadly, the in-game music is fitting but forgettable. However, the clever part of the music lies when Chuck dies. It plays a bar or two of Bach’s Toccato and Fugue in D Minor (skip to the 2.40), which is one of the creepiest pieces of classical music you’ll hear and works well in this game.

The difficulty of the game can be changed by altering the number of hearts you begin with. Don’t be fooled by the first few levels however, this game gets tough later on.

Did I complete the game?

Yes, and I will certainly play it again in the future.

What the Critics Said:

Game Informer: “There’s enough originality to keep a gamer’s interest and the characters are really a scream (pun intended). If you like Mario and Bonk type games, You’ll love De-Cap Attack”. Overall 7.5/10.[1]

Game Informer: “The game is addictive. There’s enough to keep even the best player busy for weeks. Overall 8.5/10.[2]

Game Pro: “Decapattack breathes life into the worn out action/adventure theme. – you gotta admit, head tossing is a pretty innovative for of self-defence. It’s got all the makings of a superior game: great graphics, manageable challenge, ear-pleasing tunes, and , yahoo, endless continues. It’s well worth losing your head in Decapattack. Overall 4.6/5.[3]

Mean Machines Sega: “A fun-filled platform game which is basically identical to the old import game, Magical Flying Hat Turbo Adventure, except it has different sprites and backdrops. Platform fans will love it… Overall 82%.[4]

My Verdict:

“I love this game! Its fun yet challenging. It looks great, plays great, sounds great, and certainly is a cut above most other 16-bit platform games. It holds help well, even 30 years after its original release.”

Rating:

What are your memories of De-Cap Attack? I would love to hear your thoughts, and don’t for get to follow and subscribe so that you don’t miss my latest reviews! You can also find me on Instagram: @nicklovestogame.


[1] Rick, The Video Ranger. ‘Review – De-Cap Attack’. Game Informer. (Fall Issue 1991) :9. (https://retrocdn.net/images/5/52/GameInformer_US_001.pdf Accessed 26th April 2021).

[2] Andy, The Game Dandy. ‘Review – De-Cap Attack’. Game Informer. (Fall Issue 1991) :9. (https://retrocdn.net/images/5/52/GameInformer_US_001.pdf Accessed 26th April 2021).

[3] ‘ProRreviews – Decap attack’. Game Pro. (October 1991). Volume 3 Number 10:46. (https://retrocdn.net/images/f/f1/GamePro_US_027.pdf Accessed 26th April 2021).

[4] ‘Review: Mega Drive – Decapattack’. Mean Machines. (October 1992). Issue 1:138. (https://archive.org/details/mean-machines-sega-magazine-01/page/n137/mode/2up Accessed 16th February 2020).

Comix Zone – Review

By 1995, the lives of the 16-bit consoles such as the Sega Genesis and Super Nintendo were coming to an end. However, Sega still had a few tricks up their sleeve before ceasing production of Mega Drive games.

Title screen (Screenshot taken by the author)

Comix Zone is a single-player beat ‘em up developed and published by Sega. It was released for the Mega Drive and PC (North America) in 1995, and for the PC (Europe) in 1996. Later releases include:

Game Boy Advance (2002)

PlayStation 2 and PlayStation Portable as part of the Sega Mega Drive Collection (2007)

Wii Virtual Console (2009)

Xbox Live Arcade (2009)

PlayStation 3 and Xbox 360 as part of Sonic’s Ultimate Genesis Collection (2009)

iOS as part of the Sega Forever collection (2017)

Android as part of the Sega Forever collection (2017)

The manual contains a black and white comic strip offering a more in-depth backstory the game:

General Alissa Cyan and Topol are fighting an army of monsters abs in dire need of rescuing. Sadly, Topol is killed before they can be rescued. Later, back in HQ, Cyan is arguing with the emperor, urging him to provide her with back-up to help take down the evil Mortus and his renegade army. As the emperor explains his reluctance to agree to her request, messengers inform them that another army of mutants is attacking Tibet City and that a “Doomsday Device” has been located near New Zealand. General Cyan decides that enough is enough. They need a “special operative” to help them defeat Mortus.

Sketch Turner is a comic strip artist (and freelance rock musician) who lives in New York City with his pet rat, Roadkill. One evening, whilst working hard at his desk, he is drawn into his comic strip where General Cyan explains that if they cannot stop Mortus, his form will become real, and he will be able to conquer the Earth.

Speech bubbles appear regularly throughout the game (Screenshot taken by the author)

The array of attacks and movements you can perform is quite impressive for a Mega Drive beat ‘em up. However, even though there are multiple punches, kicks, jump attacks and even throws, there is very little finesse to the fighting. It quickly becomes a button masher.

Along the way, you are joined by your pet rat, Roadkill who can help attack the baddies, assist in solving puzzles (I use this term very lightly), and can even sniff out power-ups.

One nice innovation is that there are occasions in the game where you need to decide which direction to go next. Once you decide, you cannot backtrack. One of the paths is more difficult than the other and can offer better power-ups.

However, one gripe I have with this game is how easy it is to lose energy. Punching crates, doors etc. that you need to break for power-ups or to progress makes you lose energy, which I think is a bit dumb considering the lack of ways there are to regain your health.

Tip:

Don’t be afraid to use your power-ups because when you finish the level, you will lose them anyway.

I use the term “puzzle” lightly, but there are occasions when you need to use your loaf (Screenshot taken by the author)

The levels are designed in a the style of a comic strip which I thought was ingenious when it was released. The graphics are fantastic, and the game blew me away when I first saw it all those years ago. The sprites and backgrounds are very detailed and colourful, and sprite animations look fab. I love how the baddies are drawn by and artists hand rather than just appear on the screen, adding to the authenticity that you are in a comic strip.

Throughout the game, there is a running commentary. Either General Cyan gives you instructions, or speech bubbles appear as your character and the baddies engage in repartee. When engaging in fighting, “wacks” and “pows” appear again adding to the comic strip feel. Another nice touch, comes when there are times that you can kick you enemies through the comic border into the next scene. It look quite dramatic!

The music lets this game down. I found it dull and easily forgettable.

The above mentioned ‘choose your path’ feature and the fact that there are two endings, adds some replay value to the game. Sadly, there is only one difficulty setting.

Did I Complete the Game?

No, I could not get past the boss at the end of Episode 2. This game is very hard!

What the critics said:

Electronic Gaming Monthly: “This is a very original game. Sure, it’s basically a side-scroller, but the comic look and frame concept works very well. Also, the graphics are very colorfuI, especially for the Genesis. There isn’t any exceptional fighting, but the look of the game carries it. The only drawback is the fact that you can get hit a lot, so you die a bit too often. Still, it has a fresh look to it, with a very original way of traversing to the next level. Comix Zone is a definite must-try. Overall 7.875/10.[1]

Next Generation: “A very cool idea for a game that wasn’t executed properly, Comix Zone is better than most. Overall 3/5.”[2]

My Verdict: “A fun concept for a game that still looks very cool today. Let down by the music and the repetitive nature of the fighting, this game just falls short of what could have potentially been a legendary game. It is also incredibly difficult.”

My Rating:

What are your memories of Comix Zone? I would love to hear your thoughts, and don’t for get to follow and subscribe so that you don’t miss my latest reviews! You can also find me on Instagram: @nicklovestogame.


[1] ‘Review Crew – Comix Zone’. Electronic Gaming Monthly. (August 1995). Issue 73:35. (https://archive.org/details/Electronic_Gaming_Monthly_073_August_1995_U/page/n33/mode/2up Accessed 15th April 2021).

[2] ‘Rating Genesis – Comix Zone’. Next Generation. (August 1995). Issue 8:75. (https://archive.org/details/nextgen-issue-008/page/n75/mode/2up Accessed 15th April 2021).

Bonanza Brothers – Review

Revisiting retro video games can be perilous. Over the years, our gaming prowess increases (or decreases for some of us), our tastes change and many games simply don’t age well. This week, I revisited Bonanza Bros., a game that I thought was lots of fun in the early 1990s…after almost 30 years, does the game still hold up?

Title screen (Screenshot taken by the author)

Bonanza Bros. is a 2D shooter platform game created in a 3D style. It was developed and published by Sega for the Arcade in 1990 (U.S. Gold published the game for home computer systems). In 1991, it was released on the Amstrad CPC, Atari ST, Commodore 64, Amiga, Master System, TurboGrafix-CD, Mega Drive, Sharp X68000 and ZX spectrum. For this review, I played the Mega Drive version found on Sonic’s Ultimate Genesis Collection (2009).

In the game, you are hired by the Police of Badville to test the security of buildings around the town where some very valuable objects are housed. These include a mansion, yacht, bank and a casino. To steal the objects, you must use your stealth skills and your wits to evade the security stationed to protect the valuables. Once you have all the valuables, you must reach the roof so that you can be whisked away in a hot air balloon.

Bonanza Bros. can be played in both one and two-player modes. The characters consist of Robo (red) and Mobo (blue). In the European version, they are named Mike and Spike. The two-player mode is co-operative, with the screen split horizontally, allowing both players to explore each level individually.

The graphics are a bit too basic when compared to its contemporaries (Screenshot taken by the author)

The game contains three difficulty settings and allows you to increase or decrease the number of lives you are assigned. This adds a lot of replay value to a game that is pretty short and easy to complete for any gamer with half a brain cell. There is also a time limit of three minutes for each level.

The controls are very simple. You can walk, jump and shoot your gun…that’s it. To make the game a little more interesting, you can move back and forth by one square from the foreground to the background. This enables you to hide behind walls and objects, as well as dodging shots from the guards. When you shoot the guards, they do not die, they are simply stunned for a few seconds. The guards are alerted to your presence when you either walk into their field of vision or if you make a noise near them, such as kicking a soda can. Some guards are armed with riot shields, protecting them from your gunshots. If you are hit by a bullet or if the guards are close enough to hit you with their truncheon, then you lose a life. Running out of time also causes you to lose a life and you must restart the level.

I first played Bonanza Bros. back in the early 1990s when my older brother either borrowed it from a friend or rented it from the local Blockbusters. At the time, I thought it was one of the best games I’d ever played (bearing in mind I was only about nine years old), and was really looking forward to revisiting the game.

Although more enjoyable in two-player mode, the game is too easy and becomes repetitve very quickly (Screenshot taken by the author)

So does the game hold up? Sadly no.

What are the pros?

I think the music is great! Its upbeat, funky a fun, and fits well with the game. I also think it is a game best played in two-player mode, perfect for a parent and child or for an older sibling playing with a younger one.

Some nice little touches to the game come in the form of being able to splat a guard against the wall when you open a door, and a fly buzzing around and landing on you if you stay still for too long.

Now the cons:

The game is very easy, even for less experienced gamers, and the gameplay is so simple that it becomes boring very quickly. Frustratingly, you cannot duck which becomes frustrating particularly in the later levels. Also, for a game that is supposed to be designed around stealth, there is little finesse to it. There are very little consequences to alerting the guards to your presence as all you need to do is stun them and run off screen and they seem to forget you were even there.

The graphics, although quite cute, are below standard, even for 1991. When compared to contemporary games such as Sonic the Hedgehog (1991) and Quackshot (1991), the graphics were found wanting.

Did I complete the game?

Yes, but I don’t think I will be revisiting it very often.

What the critics said:

Mean Machines: “Fans of the coin-op will love this – but others might find the action a little too repetitive. If in doubt, check it out. Overall 82%.[1]

Mean Machines Sega: “Like Alien Storm, this is another superb conversion which is let down by the fact that it is just too easy. The two-player action is fun, but at the end of the day what you need is a challenge, and unless you’re a games novice, this simply fails to deliver. Overall 73%.[2]

Sega Power: “The graphics are faithfully reproduced, the split- screen two-player mode is included and the gameplay, if a bit repetitive, is all there. Overall 4/5.[3]

My Verdict: “This game is not without its charm. Its cute, and quite fun in two-player mode. However, the graphics are below standard when compared to its contemporaries, and the gameplay becomes too repetitive too quickly. Definitely one for younger gamers.”

My Rating:

What are your memories of Bonanza Bros.? I would love to hear your thoughts, and don’t for get to follow and subscribe so that you don’t miss my latest reviews! You can also find me on Instagram: @nicklovestogame.


[1] ‘Mega Drive Review – Bonanza Brothers’. (July 1991). Mean Machines. Issue 10:86-8. (https://archive.org/details/mean-machines-magazine-10/page/n87/mode/2up Accessed 10th December 2019).

[2] ‘Review: Mega Drive – Bonanza Bros’. Mean Machines. (October 1992). Issue 1:137. (https://archive.org/details/mean-machines-sega-magazine-01/page/n135/mode/2up Accessed 16th February 2020).

[3] ‘The Hard Line – Bonanza Brothers’. Sega Power. (October 1991). Issue 23:53. https://retrocdn.net/images/8/89/SegaPower_UK_23.pdf Accessed 10th April 2021).