De-Cap Attack – Review

The early 1990s were a great time for me. I was too young to be distracted by girls but old enough to be able to hang out with friends without the supervision of parents. I was also old enough to be half decent at video games. My friends and I regularly exchanged games (and cheat codes) but sadly we just didn’t have the money to buy many games. Having an older brother has its benefits. He may be mean and leave you out in the cold when his older, cooler friends are around, but he may also have access, and money, to borrow or buy more video games. One such game that my brother brought home one night was De-cap Attack.

Title screen (Screenshot taken by the author)

De-cap Attack is a single-player platform game. It was developed by Vic Tokai and published by Sega for the Mega Drive in 1991. For this review, I played the version found on Sonic’s Ultimate Genesis Collection (2009).

Max D. Cap has returned from the Underworld to wreak havoc with his army of evil monsters. His devastation has caused the island where you live, shaped in the form of a skeleton, to break apart. Chuck D. Head, that’s you, is the creation of Dr. Frank N. Stein and his loyal assistant Igor. They created you, a headless mummy, and sends you to defeat Mad D. Cap and his minions and return to the island to its original state.

The Skeleton Island (screenshot taken by the author)

Chuck can attack his enemies in three ways. He has a weird face in his chest that extends out and punches the enemy, he can jump on their heads and squash them into the ground, or he can acquire a skull that can be thrown at the enemy but will return like a boomerang. Chuck also has the added ability of slowing his descent by kicking his legs. This little feature has saved my life, and my sanity, on more than one occasion.

Along the way, Chuck can pick up several different potions to assist him. These give him abilities such as harnessing a lightning ball, speeding up his run, slowing down the enemy etc. You can also pick up gold coins to use in a post-level bonus game.

Your health unit, quite ingeniously, is measured by pumping hearts. Each heart is the equivalent of two hits. However, if you fall into lava you will die instantly.

Chuck can use his head to throw at his enemies (screenshot taken by the author)

Although this is technically a side-scrolling platform game, and mostly that’s left to right, there are several levels where you either climb or descend the screen and at least one or two where you go from right to left. Which is quite novel considering most platformers seem to go from left to right. Like most side-scrolling plaforms, there are higher parts to each level where more goodies and power-ups can be found.

Each “island” has three stages to complete. At then end of each island you will face a boss. To add an extra challenge to each island, there is a special object to collect so even if you defeat the end of island boss, you cannot progress without finding this object.

After your complete an “island” you are rewarded with a bonus stage. Each coin you gathered allows you to place a clone of Chuck on a path. You can place as many or as little as you want on each path. Everytime they reach a bridge they will cross it either to the left or right. When they reach the end of the paths, you need to stop a set scrolling bridges. If you place your clones correctly and timed your stop of the correctly Chuck will be rewarded with lives and potions. If not they fall down a hole and you win nothing.

Obligatory swimming level (screenshot taken by the author)

The controls are tight and responsive but when Chuck changes direction whilst running he skids in a very cartoony way which takes a bit of practice.

I think the graphics are fab! The levels are incredibly detailed and sprites are well animated. There is no flickering or slowing down when there are several sprites on screen and end of level bosses look great too.

The intro music to this game is pretty cool. Sadly, the in-game music is fitting but forgettable. However, the clever part of the music lies when Chuck dies. It plays a bar or two of Bach’s Toccato and Fugue in D Minor (skip to the 2.40), which is one of the creepiest pieces of classical music you’ll hear and works well in this game.

The difficulty of the game can be changed by altering the number of hearts you begin with. Don’t be fooled by the first few levels however, this game gets tough later on.

Did I complete the game?

Yes, and I will certainly play it again in the future.

What the Critics Said:

Game Informer: “There’s enough originality to keep a gamer’s interest and the characters are really a scream (pun intended). If you like Mario and Bonk type games, You’ll love De-Cap Attack”. Overall 7.5/10.[1]

Game Informer: “The game is addictive. There’s enough to keep even the best player busy for weeks. Overall 8.5/10.[2]

Game Pro: “Decapattack breathes life into the worn out action/adventure theme. – you gotta admit, head tossing is a pretty innovative for of self-defence. It’s got all the makings of a superior game: great graphics, manageable challenge, ear-pleasing tunes, and , yahoo, endless continues. It’s well worth losing your head in Decapattack. Overall 4.6/5.[3]

Mean Machines Sega: “A fun-filled platform game which is basically identical to the old import game, Magical Flying Hat Turbo Adventure, except it has different sprites and backdrops. Platform fans will love it… Overall 82%.[4]

My Verdict:

“I love this game! Its fun yet challenging. It looks great, plays great, sounds great, and certainly is a cut above most other 16-bit platform games. It holds help well, even 30 years after its original release.”

Rating:

What are your memories of De-Cap Attack? I would love to hear your thoughts, and don’t for get to follow and subscribe so that you don’t miss my latest reviews! You can also find me on Instagram: @nicklovestogame.


[1] Rick, The Video Ranger. ‘Review – De-Cap Attack’. Game Informer. (Fall Issue 1991) :9. (https://retrocdn.net/images/5/52/GameInformer_US_001.pdf Accessed 26th April 2021).

[2] Andy, The Game Dandy. ‘Review – De-Cap Attack’. Game Informer. (Fall Issue 1991) :9. (https://retrocdn.net/images/5/52/GameInformer_US_001.pdf Accessed 26th April 2021).

[3] ‘ProRreviews – Decap attack’. Game Pro. (October 1991). Volume 3 Number 10:46. (https://retrocdn.net/images/f/f1/GamePro_US_027.pdf Accessed 26th April 2021).

[4] ‘Review: Mega Drive – Decapattack’. Mean Machines. (October 1992). Issue 1:138. (https://archive.org/details/mean-machines-sega-magazine-01/page/n137/mode/2up Accessed 16th February 2020).

Comix Zone – Review

By 1995, the lives of the 16-bit consoles such as the Sega Genesis and Super Nintendo were coming to an end. However, Sega still had a few tricks up their sleeve before ceasing production of Mega Drive games.

Title screen (Screenshot taken by the author)

Comix Zone is a single-player beat ‘em up developed and published by Sega. It was released for the Mega Drive and PC (North America) in 1995, and for the PC (Europe) in 1996. Later releases include:

Game Boy Advance (2002)

PlayStation 2 and PlayStation Portable as part of the Sega Mega Drive Collection (2007)

Wii Virtual Console (2009)

Xbox Live Arcade (2009)

PlayStation 3 and Xbox 360 as part of Sonic’s Ultimate Genesis Collection (2009)

iOS as part of the Sega Forever collection (2017)

Android as part of the Sega Forever collection (2017)

The manual contains a black and white comic strip offering a more in-depth backstory the game:

General Alissa Cyan and Topol are fighting an army of monsters abs in dire need of rescuing. Sadly, Topol is killed before they can be rescued. Later, back in HQ, Cyan is arguing with the emperor, urging him to provide her with back-up to help take down the evil Mortus and his renegade army. As the emperor explains his reluctance to agree to her request, messengers inform them that another army of mutants is attacking Tibet City and that a “Doomsday Device” has been located near New Zealand. General Cyan decides that enough is enough. They need a “special operative” to help them defeat Mortus.

Sketch Turner is a comic strip artist (and freelance rock musician) who lives in New York City with his pet rat, Roadkill. One evening, whilst working hard at his desk, he is drawn into his comic strip where General Cyan explains that if they cannot stop Mortus, his form will become real, and he will be able to conquer the Earth.

Speech bubbles appear regularly throughout the game (Screenshot taken by the author)

The array of attacks and movements you can perform is quite impressive for a Mega Drive beat ‘em up. However, even though there are multiple punches, kicks, jump attacks and even throws, there is very little finesse to the fighting. It quickly becomes a button masher.

Along the way, you are joined by your pet rat, Roadkill who can help attack the baddies, assist in solving puzzles (I use this term very lightly), and can even sniff out power-ups.

One nice innovation is that there are occasions in the game where you need to decide which direction to go next. Once you decide, you cannot backtrack. One of the paths is more difficult than the other and can offer better power-ups.

However, one gripe I have with this game is how easy it is to lose energy. Punching crates, doors etc. that you need to break for power-ups or to progress makes you lose energy, which I think is a bit dumb considering the lack of ways there are to regain your health.

Tip:

Don’t be afraid to use your power-ups because when you finish the level, you will lose them anyway.

I use the term “puzzle” lightly, but there are occasions when you need to use your loaf (Screenshot taken by the author)

The levels are designed in a the style of a comic strip which I thought was ingenious when it was released. The graphics are fantastic, and the game blew me away when I first saw it all those years ago. The sprites and backgrounds are very detailed and colourful, and sprite animations look fab. I love how the baddies are drawn by and artists hand rather than just appear on the screen, adding to the authenticity that you are in a comic strip.

Throughout the game, there is a running commentary. Either General Cyan gives you instructions, or speech bubbles appear as your character and the baddies engage in repartee. When engaging in fighting, “wacks” and “pows” appear again adding to the comic strip feel. Another nice touch, comes when there are times that you can kick you enemies through the comic border into the next scene. It look quite dramatic!

The music lets this game down. I found it dull and easily forgettable.

The above mentioned ‘choose your path’ feature and the fact that there are two endings, adds some replay value to the game. Sadly, there is only one difficulty setting.

Did I Complete the Game?

No, I could not get past the boss at the end of Episode 2. This game is very hard!

What the critics said:

Electronic Gaming Monthly: “This is a very original game. Sure, it’s basically a side-scroller, but the comic look and frame concept works very well. Also, the graphics are very colorfuI, especially for the Genesis. There isn’t any exceptional fighting, but the look of the game carries it. The only drawback is the fact that you can get hit a lot, so you die a bit too often. Still, it has a fresh look to it, with a very original way of traversing to the next level. Comix Zone is a definite must-try. Overall 7.875/10.[1]

Next Generation: “A very cool idea for a game that wasn’t executed properly, Comix Zone is better than most. Overall 3/5.”[2]

My Verdict: “A fun concept for a game that still looks very cool today. Let down by the music and the repetitive nature of the fighting, this game just falls short of what could have potentially been a legendary game. It is also incredibly difficult.”

My Rating:

What are your memories of Comix Zone? I would love to hear your thoughts, and don’t for get to follow and subscribe so that you don’t miss my latest reviews! You can also find me on Instagram: @nicklovestogame.


[1] ‘Review Crew – Comix Zone’. Electronic Gaming Monthly. (August 1995). Issue 73:35. (https://archive.org/details/Electronic_Gaming_Monthly_073_August_1995_U/page/n33/mode/2up Accessed 15th April 2021).

[2] ‘Rating Genesis – Comix Zone’. Next Generation. (August 1995). Issue 8:75. (https://archive.org/details/nextgen-issue-008/page/n75/mode/2up Accessed 15th April 2021).

Bonanza Brothers – Review

Revisiting retro video games can be perilous. Over the years, our gaming prowess increases (or decreases for some of us), our tastes change and many games simply don’t age well. This week, I revisited Bonanza Bros., a game that I thought was lots of fun in the early 1990s…after almost 30 years, does the game still hold up?

Title screen (Screenshot taken by the author)

Bonanza Bros. is a 2D shooter platform game created in a 3D style. It was developed and published by Sega for the Arcade in 1990 (U.S. Gold published the game for home computer systems). In 1991, it was released on the Amstrad CPC, Atari ST, Commodore 64, Amiga, Master System, TurboGrafix-CD, Mega Drive, Sharp X68000 and ZX spectrum. For this review, I played the Mega Drive version found on Sonic’s Ultimate Genesis Collection (2009).

In the game, you are hired by the Police of Badville to test the security of buildings around the town where some very valuable objects are housed. These include a mansion, yacht, bank and a casino. To steal the objects, you must use your stealth skills and your wits to evade the security stationed to protect the valuables. Once you have all the valuables, you must reach the roof so that you can be whisked away in a hot air balloon.

Bonanza Bros. can be played in both one and two-player modes. The characters consist of Robo (red) and Mobo (blue). In the European version, they are named Mike and Spike. The two-player mode is co-operative, with the screen split horizontally, allowing both players to explore each level individually.

The graphics are a bit too basic when compared to its contemporaries (Screenshot taken by the author)

The game contains three difficulty settings and allows you to increase or decrease the number of lives you are assigned. This adds a lot of replay value to a game that is pretty short and easy to complete for any gamer with half a brain cell. There is also a time limit of three minutes for each level.

The controls are very simple. You can walk, jump and shoot your gun…that’s it. To make the game a little more interesting, you can move back and forth by one square from the foreground to the background. This enables you to hide behind walls and objects, as well as dodging shots from the guards. When you shoot the guards, they do not die, they are simply stunned for a few seconds. The guards are alerted to your presence when you either walk into their field of vision or if you make a noise near them, such as kicking a soda can. Some guards are armed with riot shields, protecting them from your gunshots. If you are hit by a bullet or if the guards are close enough to hit you with their truncheon, then you lose a life. Running out of time also causes you to lose a life and you must restart the level.

I first played Bonanza Bros. back in the early 1990s when my older brother either borrowed it from a friend or rented it from the local Blockbusters. At the time, I thought it was one of the best games I’d ever played (bearing in mind I was only about nine years old), and was really looking forward to revisiting the game.

Although more enjoyable in two-player mode, the game is too easy and becomes repetitve very quickly (Screenshot taken by the author)

So does the game hold up? Sadly no.

What are the pros?

I think the music is great! Its upbeat, funky a fun, and fits well with the game. I also think it is a game best played in two-player mode, perfect for a parent and child or for an older sibling playing with a younger one.

Some nice little touches to the game come in the form of being able to splat a guard against the wall when you open a door, and a fly buzzing around and landing on you if you stay still for too long.

Now the cons:

The game is very easy, even for less experienced gamers, and the gameplay is so simple that it becomes boring very quickly. Frustratingly, you cannot duck which becomes frustrating particularly in the later levels. Also, for a game that is supposed to be designed around stealth, there is little finesse to it. There are very little consequences to alerting the guards to your presence as all you need to do is stun them and run off screen and they seem to forget you were even there.

The graphics, although quite cute, are below standard, even for 1991. When compared to contemporary games such as Sonic the Hedgehog (1991) and Quackshot (1991), the graphics were found wanting.

Did I complete the game?

Yes, but I don’t think I will be revisiting it very often.

What the critics said:

Mean Machines: “Fans of the coin-op will love this – but others might find the action a little too repetitive. If in doubt, check it out. Overall 82%.[1]

Mean Machines Sega: “Like Alien Storm, this is another superb conversion which is let down by the fact that it is just too easy. The two-player action is fun, but at the end of the day what you need is a challenge, and unless you’re a games novice, this simply fails to deliver. Overall 73%.[2]

Sega Power: “The graphics are faithfully reproduced, the split- screen two-player mode is included and the gameplay, if a bit repetitive, is all there. Overall 4/5.[3]

My Verdict: “This game is not without its charm. Its cute, and quite fun in two-player mode. However, the graphics are below standard when compared to its contemporaries, and the gameplay becomes too repetitive too quickly. Definitely one for younger gamers.”

My Rating:

What are your memories of Bonanza Bros.? I would love to hear your thoughts, and don’t for get to follow and subscribe so that you don’t miss my latest reviews! You can also find me on Instagram: @nicklovestogame.


[1] ‘Mega Drive Review – Bonanza Brothers’. (July 1991). Mean Machines. Issue 10:86-8. (https://archive.org/details/mean-machines-magazine-10/page/n87/mode/2up Accessed 10th December 2019).

[2] ‘Review: Mega Drive – Bonanza Bros’. Mean Machines. (October 1992). Issue 1:137. (https://archive.org/details/mean-machines-sega-magazine-01/page/n135/mode/2up Accessed 16th February 2020).

[3] ‘The Hard Line – Bonanza Brothers’. Sega Power. (October 1991). Issue 23:53. https://retrocdn.net/images/8/89/SegaPower_UK_23.pdf Accessed 10th April 2021).

The Story of Thor: A Successor of the Light/Beyond Oasis – Review

Nintendo’s The Legend of Zelda: A Link to the Past (LTTP) really changed the way gamers think about action-adventure games. The story line, the music, the graphics, the shear size of the game set the standard for action-adventures going forward into the 1990s. As far as I can tell, the only offering Sega had in this category was A Faery Tale (1991). There may be others, but none spring to mind. As far as I can tell, it took Sega until 1994 to create a reply to LTTP. The question is, would it be any good?

Title screen (Screenshot taken by the author)

The Story of Thor: A Successor of the Light is an action-adventure game developed by Ancient Corp. and published by Sega. It was released in Japan in 1994, and Europe and North America in 1995 for the Sega Mega Drive. It would later be released on the Wii Virtual Console in 2007 and on the PlayStation 3 as part of Sonic’s Ultimate Genesis Collection (2009). Interestingly, it was released in North America under the title Beyond Oasis. For this review, I played the version found on the Sonic’s Ultimate Genesis Collection.

The intro is beautifully illustrated (Screenshot taken by the author)

Prince Ali is a treasure hunter, living on the land of Oasis. One day, whilst exploring a cave on a nearby island, he discovers a golden armlet. When he tries on the armlet, a ghostly face appears and re-tells the story of a magical war between two sorcerers. One of the sorcerors, Reharl, wore the golden armlet and used it to control four spirits: Dytto the Water Spirit; Efreet, the Fire Spirit; Shade, the Shadow Spirit; and Bow, the Plant Spirit. The other, Agitio, wore the silver armlet and used it for evil, causing death and destruction everywhere within his reach. Ali must search Oasis and gain the power of the four spirits and prevent the silver armlet from being used to destroy the world.

The game begins with a beautifully illustrated cutscene giving the back story of the game. The in-game graphics are bright, colourful and much more detailed and interesting than in LTTP. The sprites are clearly defined and there is a good array of different foes to fight. The bosses are challenging but not too difficult, even for a younger gamer.

Battle your way through caves full of monsters to find the four spirits to aid you in your quest (screenshot taken by the author)

Like LTTP, as you explore the map, you will encounter numerous baddies that you can engage in battle and kill. You can attack these enemies using your dagger, swords, bow and arrow and bombs. The dagger is the only weapon that you can use infinitely. Occasionally, these fallen foes will leave behind items that will help restore your health or magic points.

What makes the battles with foes more interesting than LTTP is that you have to crouch to hit foes such as snakes, and have to jump in order to hit bats. This adds an extra challenge to the game.

The controls are easy to learn, and the game interface is intuitive and easy to use. The only difficulty jumping, which takes some practice.

Sadly, the music sucks and really can’t hold a candle to LTTP. In LTTP, the music is inspiring with hints of danger and intrigue. It encourages you to be brave and venture forth into the unknown. Beyond Oasis just falls flat and doesn’t inspire the same feelings.

As for replay value, although the game only has one difficulty setting, it is worth revisiting again, but there is nowhere near the amount of secret objects (if there are any at all) to find and the game is so much shorter than LTTP. In fact, you could easily beat it in the half the time it’d take to finish LTTP.

Efreet, the fire spirit, is one of four you need to find and gain control of (Screenshot taken by the author)

Did I complete the game?

Yes

What the critics said:

Electronic Gaming Monthly: “This one is pretty enjoyable…with the standard fare of menacing enemies and creative boss characters. The best element is probably the gigantic area you cover, and the plot twists throughout the game. Overall 38/50.”[1]

GameFan: “The game excels in almost every category. The music gets a tad repetitive, but it’s high quality… Overall 94.7%.[2]

Next Generation: “The use of magic, whether it be the fireball or meteor storm; a user-friendly interface, and an ever-ready map put Beyond Oasis beyond others of its type. But ultimately, poor fighting and an uninspired storyline leave this title looking more like a mirage. Overall 2/5.[3]

Awards:

Action RPG of the Year – GameFan’s Mega Awards 1995[4]

My Verdict:

“This game looks fantastic and incorporates some very interesting features such as the different abilities of the four spirits and the imaginative bosses. What let’s this game down is the music and game length. It’s well worth playing though!”

My Rating:

What are your memories of The Story of Thor: A Successor of the Light/Beyond Oasis? I would love to hear your thoughts, and don’t for get to follow and subscribe so that you don’t miss my latest reviews! You can also find me on Instagram: @nicklovestogame.


[1] ‘Review Crew – Beyond Oasis’.  Electronic Gaming Monthly. (March 1995). Issue 68:36. (https://archive.org/details/ElectronicGamingMonthly_68/page/n35/mode/2up Accessed 7th April 2021).

[2] ‘Viewpoint Beyond Oasis’. GameFan. (March 1005). Volume 3 Issue 3:18. https://archive.org/details/GamefanVolume3Issue03March1995/page/n17/mode/2up Accessed 7th April 2021).

[3] ‘Rating Genesis – Beyond Oasis’. Next Generation. Issue 4:94. (https://archive.org/details/nextgen-issue-004/page/n95/mode/2up Accessed 7th April 2021).

[4] ‘GameFan’s Mega Awards 1995’. GameFan. (January 1996). Volume 4, Issue 1:106. (https://archive.org/details/GamefanVolume4Issue01/page/n105/mode/2up Accessed 7th April 2021).